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Bobbi’s Blog 4-14-24… Absorbing – The vocabulary of life.

April 14, 2024

This morning as I spent some time reading on the porch a picture came to me of my mother’s profile reflected in the window of a train. Outside her window was the landscape of the American South one sees along railroad tracks. We traveled from Baltimore to Florida in trains many times when I was growing up. I must have seen my mother’s face like that.

But I don’t know where that image came from today.

Some word in the poetry I was reading triggered a nerve which touched off another which conjured up an image.

I was listening to the sound of the little wren in the birdhouse just above my head outside the screen porch. It has a wonderful and recognizable warble when it lands and calls out, “Here I am.” I am sure I am not the one she means to notify. But, so far, I have not seen a partner.

Sometimes the wren also pecks on the birdhouse, a little like a woodpecker, but she’s not digging for food. She just likes to peck-peck-peck after she lands.

And the air was very cool as the sun was coming up. I noticed how it felt on my arms. My feet were comfortable under a blanket.

I was also remembering an NPR interview I listened to while working in the studio this week. An author who teaches writing was talking about “A Thousand Words a Day.” As you might guess, she advocates breaking down your BIG writing goals – like writing a novel – into small pieces. What you can reasonably accomplish in one day. And then do it again the next day. (Sounds like artmaking.)

I am about a third of the way through James McBride’s memoir The Color of Water. Having just read three of his novels, I was excited to dive into this book. It is even more wonderful than I could have hoped. There’s so much to love. His writing craft fills every paragraph with rich details: smells of the house, sounds of the neighborhood. His clarinet. The rough interactions of the twelve siblings.

He absorbed these details and worked them into his art. It becomes a revealing and insightful portrait of his mother.

And so now I am back again to an image of a mother. My mother’s face is now in the window of the dining car, where there is a small vase with flowers on the table silhouetted against the window, and she is enjoying the smoke she could not have in the regular coach compartment.

To write. To make art.

There needs to be time to absorb details and process them.

Then do the work of arranging and rearranging them.

At least in some small way, faithfully. Every day.

….

One last thought – inspired by the sentence about my mother and the vase on the table. I discovered this week, while volunteering in kindergarten class, that “vase” is not a word kindergarten children know. Not the children in my class. (A worksheet with a picture asked the children to identify the beginning letter of the item depicted.) Most called it a jar or a bottle.

Pour into every child you know as many details, images, stories, words, explanations, questions, smells, sounds, touches and experiences as you can. For many children, their vocabulary of life is very small.

…..

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Learning from the Paint

April 7, 2024

After a very productive fabric painting session this week, I stopped for a break and to give the fabric a chance to dry. I only straightened up enough to be sure that paint jars all had lids screwed down tight and paint brushes were soaking in water. Then I left.

A delightful chaos of fabric lessons awaited me when I returned.

I spent time walking around the studio, picking up what I had created and looking at it, putting the pieces in piles defining what I thought I might do with each one next. This was a chance to see what worked and what didn’t, and to receive the lessons the paint was telling me.

Lesson 1 – The value of a unified palette.

These fabric pieces are not at all alike. But, as I see them here on the table, I am confident they will work well together. They were all created from the same paint hues, mixed in varying amounts. So, they will harmonize well in the finished piece.

Lesson 2 – The versatility of a good stencil pattern

Here is a tree shape cut from a manila file folder.

The brown section shows what I had just painted with a medium brown paint. When I was done I thought it looked good.

Then I thought of how I could make it better.

I flipped the stencil ninety degrees from the position I used for the first print and mixed up a slightly different brown. I painted this over the first layer.

Then, to add one more layer, I created energetic lines in black printing with a thin cardboard edge. The result is far more complex and interesting than the simple first layer I created with this stencil.

Lesson 3 -  A color does not have to be solid

This piece was printed with a foam roller and another favorite stencil. (A stencil cut from a card stock like a folder can have a long and productive life. I’ve had some of my favorites for years.)

I had a mix of reds and oranges on my mixing surface. I used the roller medium wet and rolled it to pick up bits of each color. So, with a single pass when I applied the roller to fabric, I got a subtle mix of oranges and reds. Allowing this to happen spontaneously created a much more interesting result than a single flat color would have been.

Lesson 4 – Going back and forth to the big project

While I am interested in the results of the individual parts I created, I need to remember that they are not the final product. The final product is the artwork in which these pieces will be used.

I have been keeping it pinned up on my easel as I work on other things.

I want to envision these pieces in the final composition.

Beyond that … is why I am creating these images with these colors in the first place. How do these patterns and colors make me feel? What story do I hope to tell?

Getting that right will be the most important lesson.

. . . . . . .

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Colors: Neutrals and Complements

March 31, 2024

This week I’ve been in the backbone-basics stage of my quilt project depicting a house of leaves.

Time for some palette decisions.

And time to print some yardage determined by those choices.

Here’s how I began:

I’ll be mixing up a neutral yellow/gold color built from yellow and black. (You might notice that my jar of yellow is a very intense cadmium yellow – like a very deep mustard. This is not my usual brand of paint. It’s a jar I acquired once and don’t really like. But, from experience I know it will work well in this particular color mix. So I’m using it up.)

Yellow + black = mustard gold. Less black = more gold-ish. More black takes the hue to olive green.

I’ve decided to monotype print on my gelatin plate. This yields a very delicate hue (because the paint is so thin on the plate) and some interesting random textures (because my plate now has some nice wear and tear in it. ) I mixed up the color right on my vinyl drop cloth and rolled the brayer through it.

First I printed some individual paper sheets – a nice thin tissue paper. These are great for collage.

Then I printed some yardage – what I’ll actually use in my quilt-in-progress. This is a sheer polyester. First I ink up the plate with the brayer, press down a fabric section, pull it off, ink up the plate again, move the fabric down a bit and press the next section. All the sections will overlap a little to create a delicate, random texture on the yardage.

(Vocabulary lesson: I am using the word “ink” as a verb, the way a printmaker or printer would use it. To apply the color to the printing plate. But I am not using inks. I am printing with acrylic paints.)

The usefulness of a delicate, neutral color is discovered by pairing it with an intense color, especially its complement.

On the color wheel, pure yellow is the complement of pure purple. So I know that these mixed colors “yellowish” and “purplish” will work as complements too. They bring out interesting characteristics of each other.

Here’s an application I found for that thin tissue paper. I ripped an uneven edge and cut it to fit under the roof angle, to provide a subtle touch of color to the house. (I also collaged the deep purplish-sky and leaves patterns inside the window so the parts will speak to each other.)

Next up in this project is some stitching. And some more collage. I expect to be living inside this project for a while. (Good thing I like the colors!)

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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About bravery

March 24, 2024

Sometimes I am brave. (In artmaking. In life.)

Sometimes I am not brave at all. (In artmaking. In life.)

I admire bravery and I respond to it, often, at a gut level that’s a combination of emotional response and conscious thought.

This weekend I went to see an exhibit by three quilt artmakers I know from SAQA in Florida, and I encountered artmaking bravery. It’s always good to visit exhibits and learn from the work of other artists.

Here are some takeaways.

Here’s a shot of the exhibit space at the Southwest Florida State College Museum of Art and Culture. The artists exhibiting are Ellen Lindner, Gabriele DiTota and Sue Robinson.

It’s good right at the beginning to stop and take a breath. Wow. Any artist or group of artists who have a group show in a beautiful space are brave souls. Somebody had to make the proposal. Or if a request was initiated, somebody had to say yes. And get the works together and delivered. And have sufficient confidence to show the works and do all the required PR.

(Making the work is just PART of the process, and sometimes the easiest part.) I applaud artists who have made the work and then tackle exhibiting opportunities.

One wall displayed one work from each artist that I experienced as a wall of bravery.

This is Sue Robinson’s work, Light from Above.

Bravery in composition. It’s very hard to leave that much negative space alone to let it speak. Always tempting to fill it in with stuff or crop differently. The powerful, empty background of this work is part of its strength. This work is haunting and memorable. I love it.

This is Ellen Lindner’s work, Raking Season.

Bravery in vision. Ellen has been a quiltmaker for a long time. In the last several years she has created a new body of work created from her experiments in hand-dyeing fabric and creating with improvisational construction. This work is bold and unexpected. I love it.

This is Gabrielle DiTota’s work Bothered.

Bravery in surface design. Gabrielle showed a body of art focusing on fabric printing techniques that evolve in unpredictable ways: cyanotype (sun) printing and breakdown screen printing. The artist has to learn and master some techniques, and then stand back and let what happens happen. The result is great spontaneity. This work has lots and lots to look at. I love it.

Back home, I am planning on some days in the studio bringing along my current large project depicting the house with leaves. I hope I will be inspired to make decisions and create bravely!

Finally: the staff at SWFSC made a terrific video interview of Ellen, Gabriele and Sue. It’s very well done and well worth watching. Pop some popcorn and take a look:

https://youtu.be/2IWN7CIHWYU    

If you are inspired to see even more wonderful textile art, I invite you to explore the new Gallery of Textile SAQA-FL website. You’ll find more art by Ellen and Gabriele, and me, and about twenty other textile artists making interesting – and brave! – work.

https://www.gallerytextileartsaqafl.com/                                            

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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In the beginning was…

March 17, 2024

In the beginning was the idea.

At this stage in the creation of a new large work, it’s not hard to focus on the idea. That’s mostly all there is. All the physical parts are just in the beginning stages of being created.

My plan is a series that develops my works about a girl’s journey. These will focus on images of a  house as a metaphor for emotional realities.

The first one, completed earlier this year, is “Living in the House of Blue Shadows.”

“Living In House of Blue Shadows” Art Quilt 2024

 Now I am at the early stages of “Living in the House of Leaves.”

I wrote in last week’s blog about the process of stream-of-conscious writing on prepared fabric to create words to incorporate into the work. More of that continued this week. (Turns out I wanted more yardage prepared this way.)

My second stage of writing sit-down sessions became more contemplative. It takes a long time to fill up several yards of fabric with hand written text. I let ideas flow about the leaves.

What do leaves connote? I will be depicting them as autumn leaves, orange and brown and fallen from the trees. Fall leaves are pretty. People drive up into the mountains to see their color. Their crunch on a sidewalk can be pleasing to walk through. Children like to jump in them.

They also represent transition. The tree is going from one stage to the next. The leaves are in the process of dying. People gather them up in piles and burn them. They are not in control of what happens to them.

And the specific memory I have which connects me to the leaves is walking from the bus stop to home in fall evenings, scuffing and kicking the leaves as I walked, and looking at them gathered in piles near the sidewalk. What that part of my life felt like is connected inside me to the images of leaves.

After writing, I have accomplished a few more beginning steps.

This is a photo transfer-in-progress.

I’ll be putting some large photo images in this quilt. This one leaf will be created from four 11” x 17” size color copies. I tile the image into parts in PhotoShop Elements, have the sections printed at a local copy shop, then tape them back together to make one big image. I will transfer it to fabric as one large piece.

I have done the same thing – but larger – with the  house-and-leaf image I have taped up on my easel. (Right now this is about 40” x 40”)

I enjoyed creating layers in the digital image to blend the house and the leaf into one another.

I am leaving this up for awhile to let the ideas cook a bit. I like the integration of house and leaves, but I am not sure I want to keep it as a single big image in the quilt. It might be more interesting cut or ripped apart and appearing in several places in the quilt.

More thinking and planning to do.

To take the beginning … the idea … and make it come to life.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Experiencing Rhythms. Patterns. Bummers.

March 10, 2024

This week I am experiencing how much artmaking (like other elements in life) is subject to evolution and change.

Rhythms. Patterns. (And bummers!)

Last weekend I hosted my studio on the Artist’s Studio Tour in the DeLand Area. What a great experience! Lots of visitors. Wonderful conversations. Good Sales. Working the event is like being onstage for two days. Constantly “on!”

Monday I put my studio back in order. Took down most of the display panels. (I decided I like having a few up and will leave them.) I cleaned. I sorted. I did computer follow-ups.

This morning when I walked in my studio, it looked beautiful to me.

I had cleaned and organized prior to the tour. So when I put it back together I had good trashcan-quantity of less stuff.

Aaahhhh.

Several weeks ago, I had also built a small shelf in my primary work and storage pallet rack sections. Such a little thing. Such a wonderful difference!

And as I looked around the studio this morning, at the artwork I had decided to leave displayed for a while, I took a moment to think about pattern.

This is one of the new works I created for the tour.

Still Life - Intersections with Two Bottles

I enjoyed creating several of these small quilts and presenting them in framed shadow box frames. (Another simple pleasure of accomplishment: I took standard frames and built half-round molding inserts behind the glass along with ½ x ½ square dowel additions on the back to transform them into shadow boxes, for a float mount presentation.)

And then this morning I stood back and looked at the new small works hanging next to a large work, “Stepping on the Cracks,” which incorporates some fabrics printed with the same branch-pattern silkscreen.

I love this. I love how a simple pattern can be used in different ways, in different colors, on different artworks, yet provide some continuity between pieces in a body of work.

And now I am in between stages. I do not have short-term deadline projects facing me. I do have several large works that interest me, and I am beginning the mental preparation of beginning them.

I spent several hours over the weekend beginning the process of incorporating words into fabric. One of the next pieces will be a semi-autographical storytelling work incorporating images of leaves. So I wrote and wrote, in a stream of conscious style, about leaves. Walking in them. Kicking them. How they remind me of other things. What they symbolize.

I am hoping that incorporating these into the background in places will add both visual texture of writing plus depth of meaning to the finished work. (If you look carefully, you can discern a few words. But it is not really my intent that a viewer will read the text. It’s just there. An underlyng pattern.)

And, as life happens, into this week of reorganizing and finding my way, a bummer. My digital camera and my computer have stopped communicating to each other (again!) and my first round of attempted repairs at the computer store did not solve it. Not the end of the world. But very frustrating. (Taking images from my camera into my computer is a regular part of my working.)

So, I did what I could do. Took the computer apart. Sucked out gobs of dust into the shop vac. Reassembled it. And I will start again at the beginning with my camera manual and googling trouble-shooting advice to attempt to solve the issue. (Not my favorite thing.)

Wherever you are in the rhythms of artmaking and life you may be this week.. May you find your way to the next stage and find meaning in it.

 

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER

 


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C’mom in!

March 3, 2024

I  set up my stool in the corner of my studio this weekend for the Off-The-Beaten-Path Studio Tour. I could greet visitors as they came through the door and engage in conversations. So, this was my view for much of this weekend:

In the foreground, on my big worktable, is a small bin of printed fabrics and papers I showed visitors to explain how I create.

Beyond that are displays of completed artwork.

 And around it all were great hours of:

questions about process

questions about what the art means

questions about how long things take

questions about supplies

as well as shared insights: I like the way the colors go together in this one. This one reminds me of my home growing up. I like the way textile art has interesting surface texture. Aren’t birds fascinating?

I am grateful for the many visitors who took time to show interest in artwork and I am grateful for the ones who became patrons by taking home a piece of artwork with them.

Now I think I’ll take down my directional signs, then put my feet up for a bit.

See you next week.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Saying (Writing) The Next Word

February 25, 2024

This week I spent a day at the AQS Quilt Show in Daytona Beach as a volunteer representing SAQA (Studio Art Quilt Associates) at the SAQA table next to its Global Exhibit, “Haven.”

It was great. My four-hour shift went by fast.

Things I learned, that I think are important enough to talk about some more:

Women’s journeys in creative work.

Women’s roles in supporting one another.

About the journeys

First, about my focus on women in particular. Almost every person I talked to was female. Quilting is a creative endeavor with mostly-female participants. So, while I know male creative artmakers experience a journey as well, I was talking almost exclusively to women. (And I believe women still experience creative journeys differently than men.)

And many of  the women I spoke to – especially middle aged or older women – were quick to describe themselves as non-creative, with phrases such as “Oh I could never do that!” This quilt show featured a large number of traditional quilts, beautifully made and beautifully representing the traditions of quiltmaking. These attracted a lot of visitors, women who also make traditional quilts and want to see examples of the best.

When they discovered the art quilt exhibit, we had great conversations about how it’s not the same as traditional quiltmaking. (Not inherently better. But inherently different.) How the artists come up with their own visions and patterns. How they don’t all follow the established rules of finishing or material use. How they can be playful. Or emotional. Or statements on social issues.

I especially enjoyed the conversations that felt like lightbulb moments, when a person suddenly realizes that some other way of working is possible.

Just knowing what is possible – what other people have tried and are doing – can be a powerful beginning.

About women supporting one another

As it happened, the SAQA table was right next to my artwork that is part of the “Haven” traveling exhibit: “Writing the Next Word.”

When I noticed people looking at it, I introduced myself and engaged in conversation about the work.

It was inspired by my weekly writing group, and it depicts one of my friends who is part of the group. The surface shows suggestions of a journey (beginning on the left with warmer colors and patterns of road-like lines) contrasted with the haven on the right. I depicted the safe harbor of my writing group in cool, welcoming variations of blue, and used them to depict my friend  as she is: comfortable in her own skin, relaxing on the porch couch.

The conversations I had about women supporting other women were very warm. Inevitably my conversation partner would give me a knowing smile. Yes, this is important, she would nod. Yes, this is powerful.

Perhaps you have two voices in you. One is “Oh I can never do that.” One is the “my friends are here for me if I fall short.”

I hope your journey is teaching you to listen more to the second voice.

Just this morning I re-discovered a poem I had not read for some time. I think it’s just the thing to fit here. This is a portion of “The woman in the ordinary,” by Marge Piercy.

. . . . .

One-Week Countdown: The DeLand-Area Studio Tour is March 2-3. You are cordially invited to visit my studio. Please visit the tour website for information and maps to studios or contact me if you need information. I’d love to say “hi!” in person.

. . . . .

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


 

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Printing-Deep-Color-Builds

February 18, 2024

This weekend I enjoyed the monthly get-together with my local group of surface design pals, ArtsEtc. The plan of the day was to work with gelatin plate printing.

(For those not familiar with hand printing with a gelatin plate, it works like this: A very thin layer of paint is brayered across a flexible plate made of gelatin. The artist uses stencils or other methods of making marks in the paint, then the substrate being printed is pressed onto the plate by hand. It works on paper or fabric.)

Today’s activities would be experimentation for me in a couple of ways. First, I generally print with my homemade plate (shown above), but I decided to pull out my commercial plate and spend some time learning its characteristics and quirks. (Spoiler alert: I liked the results. Worked well.)

And I also limited my variables: Only 3 paint colors (brown burnt sienna, brown burnt umber plus black.) And I mixed up a few substrates: cotton muslin, a cotton blend bedsheet, brown kraft paper, (recycled from packaging material in a box I had received. The shipper used a LOT!) and a few sheets of tissue paper.

I have a purpose in mind. I am beginning my thoughts on a large work depicting a burned structure, depicting the loss that remains. So, I need some deep color to physically depict char and smoke, and to connote emotional depth.

Big goal. Simple working beginnings. How did it go?

This was my first print impression: a thin coat or burnt sienna on the bedsheet. Not exciting. And this is also the point where artmakers experimenting with hand monoprinting can be discouraged. It’s pale. It’s not very interesting. But it will be! The first hit is usually just a way to get a bit of color tone on the background. More will go on top. Most success in hand printing comes from building up layers.

Here’s the same piece with just a second hit on it. But on the second plate, I had roughly mixed together both burnt umber and a little black on the plate. It’s beginning to have some depth. This could be a good background piece, or I could add more.

This is tissue paper. It also began with just a thin burnt sienna tone like the fabric in my first picture. Now, in its third hit, I’ve added more deep color, and some interesting textures.

As I was spooning out black paint from my jar to the mixing surface, a bit dripped onto my printing plate. Well that added some energy! So I added more.

This is a print from the ghost of a hand-cut stencil. The stencil is designed to print so that the shapes in the “donut holes” are where the paint comes through. But, after printing that, a much more interesting image remains on the plate. This is the ghost. It is characterized by the linear outline of the hand cut shape, and a little interesting texture where the background of the whole stencil pulls away from the paint on the plate.

Here’s another ghost print.

And, for fun, I took that photo and added a transparent overly on it in Photoshop. This shows how I could go back on the actual fabric and change the look with transparent color. The two pieces shown side by side might end up being cut apart and used in different places in a large quilt. They are the same, but different, adding both unity and variety to the finished piece.

While I was in Photoshop I just tried a little composing, to see if these random pieces would work well together in a large composition. My gut says yes. Because the colors have been kept constant, the mix of patterns and substrates is still pleasing together.

I came home from the meeting with pieces I like and think I can use, and some great art gang camaraderie as a bonus. Great day.

. . . .

Two-Week Countdown: The DeLand-Area Studio Tour is March 2-3. You are cordially invited to visit my studio. Please visit the tour website for information and maps to studios or contact me if you need information. I’d love to say “hi!” in person.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Sketchbook Lessons

February 11, 2024

I spent some time this week looking through several years of sketchbooks. I was just looking for inspiration for compositions and reviewing ideas I have worked through over the years.

I am so very glad I keep records of sketches and ideas in these books.

I know that everybody does not have a sketchbook or journal practice, and I know that those who do use them in very different ways. For me, my sketchbooks are quick references of what I’ve been thinking about creating.

What interested me as a discovery this week was about the actual process of coming up with complete compositions to fill a picture plane through fast, loose sketches.

Sometimes, thinking about compositions can start from the outside edge and work in. It’s more methodical. If you want to make a square artwork, draw a square. Then draw the shape or thing you want to depict and place it someplace in the square. Try making it larger or smaller; move it around in the square.

This works. I’ve done this lots of times. It’s a way to explore.

But that’s not what I discovered this week. Instead, I rediscovered the process of starting from the inside – with the shape or thing — and then just loosely adding to it to see where it goes.

I had a few pages of sketches I did in a coffee shop, depicting the simple objects on the table, to show the process.

Here’s a salt shaker and a glass:

Not interesting yet, but a start. Maybe they need some friends:

Now I have four shapes in my picture plane. This is the point that I think is often challenging for artmakers. How do I make them relate to each other? How do I make the whole thing a unified composition, not just random things. For that, I played quickly with some connecting shapes:

Even as a loose rendering, I can already see how this might make an interesting large artwork. I’ve begun to look for variations in shape as well as variations in light and dark.

Here’s another one that was fun. Beginning with a single loosely drawn coffee cup:

Again, I’ve added some friends. (These were not really on the table. At this point I was making up characters.)

I liked the playful feel of this, and decided to experiment with additions of silverware, in addition to connecting linear and shape elements:

I can envision this as a large work, with lots of possibilities for how to depict these simple elements.

A few learning takeaways:

Simple subject matter can make great art. I’m not all that interested in cups and salt shakers. But, used creatively, I think they could be great subjects for artwork. So could a stick. Or a table. Or a shoe. Or some bugs. Or circles and rectangles. Sometimes artmakers get the visual-artist version of writer’s block, seeking for fascinating subject matter. It’s probably more important to find subject matter that you like, then make it interesting through composition and how it’s created.

The value of a skeleton. I do understand that different artists go about creating work in different ways. But, for me, even a loose framework or skeleton sketched out to begin is invaluable to give a piece direction.

Save your ideas! I like bound books. Maybe you prefer scraps of paper tossed into a shoebox. OK. Just save them somewhere, somehow. Words, sketches, photos, digital mockups. Hold on to them and review them now and then. There are probably some great ideas in there.

. . . .

Follow-up from last week’s blog: I was writing last week about color, and about some fabrics I had created for a quilt I was re-working. I got it finished. Here it is:

This is “Remembering The Way II.” If you’d like to see more about it, please visit the work on my website HERE.

. . . . . .

Countdown continues: The DeLand-Area Studio Tour is March 2-3. You are cordially invited to visit my studio. Please visit the tour website or contact me if you need information.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Theme and Variation – Color

February 4, 2024

A studio project this week has involved re-working a medium sized quilt I made about a year ago.

There is a lot in it I like.

And a lot that disappointed me.

Time for re-do and a new life!

In the process, I needed to mix up some new colors to make fabric to go with what I had created before. It did not need to match identically, but I wanted the new stuff to be compatible.

This is when I am grateful that I work with a limited palette of base colors, and that I have learned what color mixes I like.

This week’s project took me into the realm of tealish-blues.

So. We need to begin by talking about brown. Brown is a great mixing color. It can magically transform a plain old boring out-of-the-jar color into one with a little more interest. One of my favorites is Cerulean ( a basic lovely but not-very-interesting blue) mixed with Raw Umber.

This is my set-up. A few disposable mixing trays. (Which I actually use multiple times before discarding.) My paints. Some water. A mixing brush. And a sponge for applying.

Cerulean Blue + Raw Umber I am calling the base color. (Even these two colors alone mixed in varying percentages yield a nice family of hues.) But my goal was to create the base color teal-blue, then use it to create two variations: base color + yellow for greenish and base-color + white for a lighter teal blue.

Here are the two pieces I painted.

I applied the color with a wet sponge dipped into the mixed color and painted loose and fast. It’s not absolutely constant across the yard or so of fabric I created. I’m fine with that for this application. But, If you want a good solid with no variation, painting with a brush or a foam roller and controlling the percentage of water-to-paint by more thorough mixing before application would help accomplish that.

In the quilt re-do project, the colors I painted were mixed in with some of the original colors from the first version, and also overprinted with new patterns. Here’s a look at a detail of the work-in-progress.

I’m not done . . . but I’m happy with the color conversations that are developing.

. . . . . . . .

STUDIO TOUR COUNTDOWN: 4 WEEKS
To readers who are near Central Florida, I hope you will put DeLand’s Art Studio Tour on your calendar. It’s a great way to meet artists and see where the art is created. I am proud to be on the tour and will welcome visitors to my studio.

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Light in the Attic Window

January 28, 2024

 (To write this morning, I stand beside a well of deep shadows, where I will dip in and let things spill out as they will.)

It is like a beacon, that yellow light.

I am pulled towards it. Perhaps it is providing guidance.

I know it is alone in its warmth in a place of deep blues.

There, in that attic room, is it the place the girl retreats to? Is it her light I am seeing? Or another? Like her I am outside. Somebody else has the light on in the night. Writing? Reading? Are there sounds of a keyboard – an old fashioned clicking typewriter – or the softer sounds of paper and pen?

Perhaps there is a child who could not sleep. And the switching on of the light is accompanied by a hand to the brow, a rub of the back, gentle song.

Outside the house the sounds are soft. Branches rub against one another. There is a light mist of almost rain.

And I am in this place and not in this place. Under the trees and also creating them in memory. I am looking through a detached window and on the other side of it.

It was long ago.

It was never. It is a dream. It is not a scrapbook.

I want to enter this space to discover its secrets.

This is just the beginning. To be there. The secret-discovery will require scuffed shoes or a stick to dig and stir the leaves – all that there is within the blue shadows.

. . . . .

I am discovering, through experience and the reality of being older than I was, that creating art, both writing and physical objects that you can touch and feel, is a serious business. And a wonderful process: a process filled with wonder, in which discoveries occur right alongside the things that were planned. For those who are art-makers, I hope for you a path that opens up your heart to possibilities. Don’t be afraid to reach down into the well. For those who are art-lovers, I hope that your relationships (no, friendships) with works created by artists connect you to even a part of what we hoped and experienced while creating, and that your life is richer for it.

Happy creating.

Happy art-loving.

(The work that is the basis for this week’s writing, “Living in the House of Blue Shadows,” is just completed. If you would like to learn more about it, please visit my website HERE.)

Thank you for reading.
I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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The box on the porch. And other surprises.

January 21, 2024

This was a weekend of interesting surprises.

THE BOX-ON-THE-PORCH SURPRISE  I was out for the morning and returned to a long skinny box delivered by Fed-Ex. The labeling told me it contained a quilt returned to me from Studio Art Quilt Associates.

This quilt has been a world traveler as part of SAQA’s global exhibit “Opposites Attract.” Like Christmas morning, I had the pleasure of unwrapping and rediscovering the work. (It has been traveling as part of the exhibit approximately two years.)

My quilt from “Opposites Attract” is Rust Happens.

Looking at it again helped me to remember all the parts that went into this work, and what I enjoyed about it.

My art quilt “Rust Happens” when I was creating the parts

My art quilt “Rust Happens” - detail - photographic images next to other kinds of surface design

. . . . . . . .

THE OH-NO!-WHAT WAS I THINKING SURPRISE! This is a follow-up to last week’s post, in which I was experimenting with color relationships in a composition of two pieces each about 12” square.

Here’s where I was at the end of last week’s blog.

I like the elements, I like the overall palette, but I wanted it to have a little more “pop.” Some warm yellow seemed like a good idea. I added a yellow circle to the section with the bird and to the background of the section with the fish. It turned out like this:

I hated this! Too garish. Even though I had mixed the yellow with matte medium for transparency, the primary color combination now looked to me like a circus clown. The learning experience (which I should have known, having made this same error before) is that the paint does not look the same when you roll it on as it does when it dries. When it’s wet, the white matte medium makes the paint look more pale. It is a hue mixed with white. But, when it drIes, the matte medium is clear and all the hue shows full intensity.

So I worked on saving this project and – ANOTHER SURPRISE! I feel like it was successful. I painted over the yellow sections with a very transparent layer of matte medium with white. (White is opaque, so just a little bit makes a big difference.) Then I finished adding the collage elements and added surface stitching. Finally, a bit of all-over black spatter. Here’s the result:

Life’s an adventure!

. . . . . .

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Color in Context

January 14, 2024

A little color and composition project I am working on this week is causing me to remember a friend from high school.

He was smart and funny. And a bit of a smart- apple. And I remember that when somebody would express a fondness for something (I love hamburgers! I like the Beatles!) he would reply: “As compared to what?”

The artful takeaway from this is the importance of context: a color or a design element is not usually worthy of affection all on its own.  “I love blue!”  As compared to what? Alongside what? Used as a layer over what? As compared to what other choice?

My project involves two small pieces, just under 12” x 12”, which are to display together, one above the other, as a diptych. (I am creating this for a call-to-entry with those specifications.)

So far, I have a top section with a blue background and a bottom section with a green background, unified by a pattern of bubble-like shapes.

I have already printed the bubbles sections. (I created the shape edge with torn paper as a stencil then wheat paste resist for the circle shapes.) The halves are compatible, but don’t have much “pop.”

My plan is to add the complement of blue — orange — to each section to get the color to be more alive. This is an abstract depiction of above and below water. Above the water is a wading bird. Below the water are fish.

In the top section, I’ll add orange to the background and the bird will reveal as blue. On the bottom section, I’ll use orange as the foreground on the fish shapes. In each case, I’m keeping my orange transparent (pigment mixed with a good deal of matte medium) so it will be transparent.

Here’s my set-up: colors in the mixing tray, foam roller ready for application.

Now to paint. On the top half, the bird shown in the picture is a card stock stencil. It is blocking out the paint in the shape of the bird, and I have used masking tape for the edge. On the bottom half, I’ve cut card stock fish shapes to fill in.

Here is the side-by-side result at this point.

A subtle thing that occurs with transparent paints, working in complements, is the interplay of the underneath color with the over printed transparent color. Here is a close-up of the fish.

The hints of the green below with the orange on top is much more interesting than it would be as an opaque color.

 

I’ve experimented and played with colors and transparencies a lot in my work. I do not use fixed formulas for color partnerships or color mixing or degrees of transparency. A feel for what works with your particular working materials comes with time spent using them. (And allowing yourself to make mistakes. I’ve made a bunch!) Along the way I’ve learned what I like, and what combinations usually work out well.

This little project has some more collaged additions and stitching in its future. I’ll share it again when it’s done.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


Tags surface design, color, complementary colors, painted faric, acrylcis on fabric, acrylic medium, wading bird
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Through What’s-Between to the Memory.

January 7, 2024

The thing about memories is that we seldom see them clearly.

Looking back is not like a straight shot of vision.

We are seeing through time. We are seeing through whatever haze our perceptions and emotions may create. We are seeing a memory that has been formed and changed by its interaction with dreams—even pictures from a scrapbook. Are we remembering the event or re-seeing it as it appeared in the photo?

As an artmaker interested in depicting remembered images, I think about how to recreate this experience. My hope is not so much to create a realistic scene but a real scene – one that touches on the truth of experience.

How can the simple “stuff” of textile art do that?

I am continuing to work through that decision-making in the work-in-progress about a house with shadows of tree limbs. (I wrote about this same work last week. At that point I was working on individual parts, and the process of putting them together as the background.)

Here’s where I am so far. This is the quilt in pieces on my easel. I will be putting the two halves together, but not yet. (It helps me to do the stitching on smaller sections.)

There are things I like. I like the palette. I like the figure of the girl. (Based on a scrapbook image of my mother as a young girl.) I like the house. It’s an actual old house here in DeLand, which I photographed from a number of angles. I like the way it evokes nostalgia of a grandmother-farmhouse-place, even if no such place really exists in our personal histories.

I like the superimposed tree limbs on both the house and behind the window. The sense of layers has a start.

It feels like a good beginning. But the emotional component isn’t there yet.

I have had this on my easel for a few days looking at it. And I came upon the idea of adding a new layer in front of what’s there now. Something to look through to get to the memory.

Trees. A new layer of trees.

Now comes the translation of this emotion into the working “stuff” of my medium.

I have painted a large section of sheer polyester with deep blue. I am tracing out forms of trees to be applied in several places across the composition.

I believe this will add more depth to the work. Here, where the limb will overlap the window, the foreground of the new limb is in front of the window, which is in front of the photographic limbs seen through the panes.

I also think this new layer will add contrast and unity. The simple shapes as a top layer will contrast with the intricate textured images below. And, the new trees crossing from one section of the work to the next should tie them together.

At this point in the creation, I need to give myself time to look and feel. I’ll put the trees in place with masking tape and hang it up to look at for a while. Having worked in this way before, I know the technical side – how to put them together. I need to focus on the story and the emotional side.

Because that’s the whole point of making the work.

. . . . . .

For readers in Florida: Please accept this invitation to see group exhibits by fiber artists. In my hometown of DeLand, I will be exhibiting as part of a Water-themed exhibit in City Hall. In Venice, Florida, I will be exhibiting in the juried SAQA Regional show, “Awakening.” Both are a way to experience the variety of artmaking possible with textiles.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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The Parts Come Together

December 31, 2023

New year. New project. Here we go.

This in-between-holidays week has provided some good studio time. I am beginning on a new large quilt, continuing the series of the journey of the little girl, with a dream-inspired vision of a house in blue shadows.

At the beginning of the week I had parts. And a vision.

Now it’s time to use the parts to fulfill the vision.

Here’s a computer mockup of where I’m headed.

It helps me to do a little computer composing so I get a guide for what I need to create and how to size it. It’s a test of the parts next to one another, and determines the final quilt size. (This work will be approx. 47” x 50”. The photographic images—house and window—are my original photos, already transferred to fabric.)

I have a scratchy-line section on the right that’s dark. And a scratchy-line section on the left that’s light. My work this week has been to turn those shorthand notes to myself into printed/painted sections that accomplish their role in the overall story and composition.

(Note to myself about the process of surface design on fabric. This is the “so-what.” I’ve created some fabric by varying means that’s interesting to look at it, but so what? How will it be useful? How will it accomplish an artistic purpose?)

First the dark for the right-hand stripe.

I began with the fabric shown top left. It’s a random relief print of some crescent-shapes. My plan is to overprint it with a dark blue-black in tree limb patterns. That’s what’s shown in the bottom part of the photo.

And here how it is evolving in the constructed quilt, with dark stitching to accentuate the limbs.

Next the light section for the left side.

I actually started with a printed tree pattern in medium value blue against a dark background, here:

My plan is to overprint it with a mixed color that includes white – to make a lighter value, and to make the paint opaque.

Here’s the printed result. (I have not stitched this section yet. But I will)

Along the way I have been creating some other tree-inspired fabrics to fill in those undefined rectangles in my original mockup, and the splashes of burnt orange.

As I look at this work-in-progress on my easel, I realize what a wonderful and amazing experience this is. To have an idea. To translate it into a composition concept. To create the parts. To watch it all come together. A joy-filled, meaning-filled way to spend my hours.

. . . . .

I also love the opportunity to come out of the studio to meet with and exhibit with other artists. Here are a few opportunities to see textile exhibits. I am pleased to have work included in these upcoming events. You are invited!

If you live near Venice, Florida I hope you’ll visit this exhibit. Thirty works be Florida textile artists, all of whom responded to the theme “Awakening.”

If you live near DeLand, Florida (my hometown) I hope you’ll visit this exhibit by members of ArtsEtc. This group of diverse artists has been meeting together for a long time—some as long as twenty five years. We have exhibited in DeLand City Hall for about six years. The work is displayed in the City Commission chambers. It’s available for viewing during the regular business hours for City Hall and when the chamber are used for other public meetings. The work will be up through March, 2024.

. . . . .

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Unexpected Studio Visitor

December 24, 2023

My studio mascot, a beautiful one-of-a-kind flying pig, attracted a few festive travelers this Christmas season.

They have brought me some smiles, and I am happy to share them here.

Enjoy the holiday.

Peace to all

---Bobbi


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The Good of Simple

December 17, 2023

In this past week I have found myself in several conversations that revolve around simplicity.

I heard nobody disparage simplicity. I heard a number of people long for simplicity.

A group of artmakers shared their working methods and their hopes for where their art might go. Several expressed a desire for working more simply — less material choices, less supplies, working with a limited palette. In conversations about the holidays, I’ve heard people with deep frustrations about gift-buying and gift-giving and guilt-induced over-the-top holiday expectations.

Enough! Less!

I’m not a scrooge. I enjoy the pleasure of giving and sharing. And I never intend to judge any artmaker who chooses ways of working that are different from mine. (There are, after all, LOTS of choices!)

I just find deep pleasure and artistic satisfaction in making work that is interesting, and (I hope!) compelling and with something to communicate and to do that by using simple methods and materials.

(I grew up in a family with constant financial pressures. Even as a kid I learned an aversion and fear of spending money unnecessarily. Perhaps I am now drawn to working methods that are simple and inexpensive as the positive lesson from that negative experience.)

So here’s a bit of simplicity: a cardboard shape

I cut out a simplified leaf shape of heavy cardboard, then wrapped it with a thin piece of chipboard (thin cardboard, like a paper towel tube) to serve as the printing edge. It is all held together with masking tape. This tool will not last forever. But it will last long enough to create some interesting work.

My first project this week using the cardboard printing tool is a wheat paste resist. (Wheat paste is just flour + water stirred to make a batter. Simple.)

Here I’ve got my yardage taped down to a working board. (I was creating several different kinds of fabric in compatible colors. And in this picture, they are side-by-side on the board.) What appears white is the paste. It will serve to block out the underneath fabric when it is over-painted. Whatever is the underneath fabric color will show through.

After the wheat paste is completely dry (generally overnight) I over-paint the fabric with a contrasting color. The background is light, so the over-paint should be dark. (This foam roller is a favorite tool in my studio. Find them in any hardware paint department – rollers for painting trim.)

Here’s some of the finished fabric:

I’ve used it in a sewing project for a Christmas gift. I’ve contrasted the wheat paste section with a color complement – the apricot color – made into a pattern using strips of masking tape as a resist.

Amazingly, my little cardboard shape held up to the stamping of wheat paste and being cleaned off in the garden hose. So I decided to use it more to do some relief printing. (Used together, the fabrics will speak to one annother. Same shape. One positive. One negative.)

I dip the cardboard edge in the paint and then stamp, creating a thin linear outline.

Here’s a bit of the finished yardage, also in the process of being stitched into a Christmas sewing project.

Positive and negative shapes.

Strong contrasts in values.

Using the power of complementary colors.

Simple strategies, put into use with simple methods.

I find this way of working joyful.

I hope you also find pleasing ways of working, in artmaking or whatever your life work is. Maybe there are opportunities to simplify and eliminate what you don’t need. And maybe these choices will be pleasing.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating 

Thank you for reading.
I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Home is Where…

December 10, 2023

The world is filled with little houses this time of year. They are everywhere.

Christmas decorations and cards feature scenes of little houses in a village. You can purchase houses as decorations made of balsa, or metal, or plaster, some arriving already finished, some as projects to paint and embellish.

I get this. There is hardly any image as deeply a part of our emotional lives as our image of home. Good or bad. Longed for or escaped from. The structure itself has a powerful emotional pull.

Houses, especially child-like images of houses, have been a part of my artmaking since I began working in textiles.

I love the basic form: a rectangle with a triangle on top to connote a roof.

So It Will Not Break In Two - Textile Collage - Art Quilt

Houses in a row

Sing the Songs That We Learned There - Textile Collage - Art Quilt

Houses in a fairytale forest

Float Away in Dreams - Textile Collage - Art Quilt

Houses that are deeply attached to their past

And All That’s Gone Before - Textile Collage - Art Quilt

Houses that fly away

Sometimes They Fly Away - Textile Collage - Art Quilt

Houses that partially reveal what’s inside

Sometimes you Can’t See In - Textile Collage - Art Quilt

Houses that are solid, with the stories inside hidden

Every One Hass a Different Story - Textile Collage - Art Quilt

As an artmaker, I return to this image because it speaks to me of ideas that are important to me – home, memories and journey.

And I know that in this season, images of houses are presented under a veneer of sentiment that gives the images a ramped-up power to stir emotions of all kinds. Who would expect to be filled with nostalgia and wistful longing by looking at an array of little wooden shapes arranged as a village?

As your senses — and mine — are filled with images of homes this season, I send to you my hopes:

That the home where you are is the one where you want to be.

That the home that you came from is a memory that warms and strengthens you.

That, if your present and memories are filled with difficult emotions, you may find ways to bring peace and meaning into each day.

From my home to you… my best wishes.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating 

Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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The Making of the Bread

December 3, 2023

As I work in the studio I generally have NPR on in the background. Lately I’ve heard a LOT of stories about spices, family traditions, recipes, and pie dos-and-don’ts. (Apparently this has to do with the baking part. Once it’s baked, the only “do” is Eat and enjoy!)

In the midst of thinking abut baking and eating, I received a note from SAQA that the global exhibit “Gastronomy” has an opening this month in Odessa, Texas. I am always honored to be part of a global exhibition. In this one, the work I’m exhibiting is “More than Bread.”

SAQA does a wonderful job of traveling and promoting its Global Exhibits. Here’s where “Gastronomy” has been and will exhibit:

Premiere - International Quilt Festival, Houston, Texas: November 1 - 5, 2022

Ellen Noël Art Museum, Odessa, Texas: December 7, 2023 - March 10, 2024

Sauder Village, Archbold, Ohio: May 1 - May 4 2024

The Historical & Cultural Society of Clay County, Moorhead, Minnesota: October 4 - December 31, 2025

I remember creating this work and how much I enjoyed it, so I thought I’d share some of the process this week. There were a lot of learning experiences in this work.

THE JOY OF DRAWING  I love to draw. Every time I write that, I realize that I don’t do it enough, and how much I would like to improve my drawing skills. (Note to self: Bobbi, draw more!) This work gave me a chance to practice. I drew the woman freehand on the fabric that would become the quilt. I used a grid enlargement method mixing up some reference photos from online sources with a drawing of myself as the baker. I have learned how much I need a real model to draw people correctly. The angles and the relationship between body parts are never the same visually as what I think they will be. I never would have believed the angle of the glasses on the woman’s nose was the way I drew it till I actually modeled myself and then drew what was there.

THE POSSIBILITIES OF SIMPLE METHODS I really struggled with keeping it simple in the rendering of the woman. I had hoped to have no shading at all, but was not satisfied with line only. But I used as little as possible to build her up. This light acrylic wash over the drawing became the basis of her form.

I also wanted to challenge myself to have an interesting work that was created whole cloth. So, this work is created as one large piece. The fabric is a bed sheet.

THE IMOPRTANCE OF CONTRASTS  While this composition is intentionally simple, it is filled with little details. That’s one contrast: the intricate in the large, simple  spaces. And I worked to achieve strong value contrasts, with an overall contrast of colors: the yellow-purple palette built on the contrasting properties of color complements.

THE INVALUABLE, WONDERFUL, IRREPLACEABLE VALUE OF ASKING FOR HELP: Half way through this work, I was stuck on how to finish up the body, and how much to add or not add. I photographed it as it was, and then did a few Photoshop rough renderings of things I might do. I sent those to two trusted SAQA colleague/friends and asked for advice. They were gracious and helpful. My work was better because of their critiques. The take-aways here are:  1. Yes, ask for help, 2. Don’t wait till it’s DONE to ask for critique. At that point, you may not be able to make changes. Showing your work to artists you know and trust while it is still in its unfinished — or even in the ugly stage — is a good practice.

FINALLY:  E V E R Y T H I N G IS INTERESTING!  Frequenty artists beat themselves up looking for just the right scene or subject matter to be worthy of artmaking.  It’s the artmaking version of writer’s block. Everything can be interesting! The salt shaker. Your cups. Lettuce. A table. A book on a table. Just look at the wonderful images created by artists for this exhibit.

(This snip was from the exhibit description on the SAQA website. you can see and enjoy the whole exhibit, along with details, here:)
https://www.saqa.com/art/exhibitions/gastronomy-saqa-global-exhibition

In the weeks ahead, as most of us will be fortunate enough to enjoy smells and tastes of good food, I hope you enjoy it all deeply. And maybe it will inspire your artmaking too.

For all the artmakers: Happy creating
For all the art lovers: Happy appreciating

 Thank you for reading. I always enjoy questions and comments.
--Bobbi

bobbi@bobbibaughstudio.com

 

How I keep in touch:

BLOG POSTS  - once a week:  Mostly about what I am creating in the studio. If you would enjoy receiving blog posts by e-mail, please subscribe here:  I post and send by e-mail each Sunday evening. BLOGS-BY-EMAIL

NEWSLETTER – about once a month: Mostly news of exhibits and my way of introducing new work. You’ll get FIRST LOOKS at new artwork and members-only discounts. You’ll hear from me about once a month.  NEWSLETTER


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Welcome

I write to dig a little deeper into the process of artmaking.

  • June 2025
    • Jun 22, 2025 Conversations between paper and fabric Jun 22, 2025
    • Jun 15, 2025 A learning and wondering smorgasbord Jun 15, 2025
    • Jun 8, 2025 Adding a Layer – In reverse Jun 8, 2025
    • Jun 1, 2025 Possibilities Unfolding Jun 1, 2025
  • May 2025
    • May 25, 2025 Seeing Possibilities May 25, 2025
    • May 18, 2025 Pattern Practicing May 18, 2025
    • May 4, 2025 Glorious Color May 4, 2025
  • April 2025
    • Apr 27, 2025 Beyond the Trees. What’s Next? Apr 27, 2025
    • Apr 20, 2025 Three brave women Apr 20, 2025
    • Apr 13, 2025 Some Found-Object Printing Step-by-Step Apr 13, 2025
    • Apr 6, 2025 To Future Historians Apr 6, 2025
  • March 2025
    • Mar 30, 2025 Organic Complexity! Mar 30, 2025
    • Mar 23, 2025 Trees Don't Do... Mar 23, 2025
    • Mar 16, 2025 LEAF LESSONS Mar 16, 2025
    • Mar 9, 2025 Feeling My Way Along the Path Mar 9, 2025
    • Mar 2, 2025 Studio Tour Musings Mar 2, 2025
  • February 2025
    • Feb 23, 2025 Reminders. Like warm Rocks Feb 23, 2025
    • Feb 16, 2025 Work-in-Progress . . . and meanwhile Feb 16, 2025
    • Feb 9, 2025 Familiar Forms Feb 9, 2025
    • Feb 2, 2025 Not every brick Feb 2, 2025
  • January 2025
    • Jan 26, 2025 Into the Light Jan 26, 2025
    • Jan 19, 2025 The fairytale forest Jan 19, 2025
    • Jan 12, 2025 Pulling – Connecting – The Memory Threads Jan 12, 2025
    • Jan 5, 2025 Don’t Go Hiking Alone! Jan 5, 2025
  • December 2024
    • Dec 29, 2024 Envisioning. Prepping. Beginning. Dec 29, 2024
    • Dec 15, 2024 Celebrating the Messages of Birds Dec 15, 2024
    • Dec 8, 2024 Composition Study Dec 8, 2024
    • Dec 1, 2024 Look at your own art. And Learn Dec 1, 2024
  • November 2024
    • Nov 24, 2024 How It Gets There Nov 24, 2024
    • Nov 17, 2024 Theme and Variations: Blue Nov 17, 2024
    • Nov 10, 2024 Thoughts from the Interior Nov 10, 2024
    • Nov 3, 2024 Harmony and Differences Nov 3, 2024
  • October 2024
    • Oct 27, 2024 After the Fire Oct 27, 2024
    • Oct 20, 2024 Talking about art Oct 20, 2024
    • Oct 13, 2024 Contrasts and Connections Oct 13, 2024
    • Oct 6, 2024 Discovering What is There Oct 6, 2024
  • September 2024
    • Sep 29, 2024 Reimagining a concept Sep 29, 2024
    • Sep 22, 2024 A “Yes” and some “Maybes” Sep 22, 2024
    • Sep 15, 2024 Art-Thinking Inspiration Sep 15, 2024
    • Sep 8, 2024 Kicking Leaves Sep 8, 2024
    • Sep 1, 2024 The Pull of Water Sep 1, 2024
  • August 2024
    • Aug 25, 2024 Bearing Witness Aug 25, 2024
    • Aug 18, 2024 Sienna discoveries Aug 18, 2024
    • Aug 11, 2024 Studio Buried Treasure Aug 11, 2024
    • Aug 4, 2024 Bobbi’s Blog 8-4-24… Underwater Evolution Aug 4, 2024
  • July 2024
    • Jul 28, 2024 From idea to image on fabric Jul 28, 2024
    • Jul 21, 2024 Puttin' My Feet Up Jul 21, 2024
    • Jul 14, 2024 Giving the Paint Someplace To Go Jul 14, 2024
    • Jul 7, 2024 Part II: Still Life Experiments Jul 7, 2024
  • June 2024
    • Jun 30, 2024 Still Life Experimenting Jun 30, 2024
    • Jun 23, 2024 Water Drops Jun 23, 2024
    • Jun 16, 2024 Simply. Pleasing. Printing Jun 16, 2024
    • Jun 9, 2024 Pod Image Experiments Jun 9, 2024
    • Jun 2, 2024 Printing Patterns – Same and Different Jun 2, 2024
  • May 2024
    • May 26, 2024 Diving Into Green May 26, 2024
    • May 19, 2024 Workin’ Fast N Loose May 19, 2024
    • May 12, 2024 Bringing Leaves to Life May 12, 2024
    • May 5, 2024 Looking into water May 5, 2024
  • April 2024
    • Apr 28, 2024 Side by Side Composing Apr 28, 2024
    • Apr 21, 2024 Musical Patterns Apr 21, 2024
    • Apr 14, 2024 Bobbi’s Blog 4-14-24… Absorbing – The vocabulary of life. Apr 14, 2024
    • Apr 7, 2024 Learning from the Paint Apr 7, 2024
  • March 2024
    • Mar 31, 2024 Colors: Neutrals and Complements Mar 31, 2024
    • Mar 24, 2024 About bravery Mar 24, 2024
    • Mar 17, 2024 In the beginning was… Mar 17, 2024
    • Mar 10, 2024 Experiencing Rhythms. Patterns. Bummers. Mar 10, 2024
    • Mar 3, 2024 C’mom in! Mar 3, 2024
  • February 2024
    • Feb 25, 2024 Saying (Writing) The Next Word Feb 25, 2024
    • Feb 18, 2024 Printing-Deep-Color-Builds Feb 18, 2024
    • Feb 11, 2024 Sketchbook Lessons Feb 11, 2024
    • Feb 4, 2024 Theme and Variation – Color Feb 4, 2024
  • January 2024
    • Jan 28, 2024 Light in the Attic Window Jan 28, 2024
    • Jan 21, 2024 The box on the porch. And other surprises. Jan 21, 2024
    • Jan 14, 2024 Color in Context Jan 14, 2024
    • Jan 7, 2024 Through What’s-Between to the Memory. Jan 7, 2024
  • December 2023
    • Dec 31, 2023 The Parts Come Together Dec 31, 2023
    • Dec 24, 2023 Unexpected Studio Visitor Dec 24, 2023
    • Dec 17, 2023 The Good of Simple Dec 17, 2023
    • Dec 10, 2023 Home is Where… Dec 10, 2023
    • Dec 3, 2023 The Making of the Bread Dec 3, 2023
  • November 2023
    • Nov 26, 2023 The deep longing for Art Nov 26, 2023
    • Nov 19, 2023 Bringing Things Along Nov 19, 2023
    • Nov 12, 2023 Getting a do-over. To get it right. Nov 12, 2023
    • Nov 5, 2023 Screen Printing Stick Patterns Nov 5, 2023
  • October 2023
    • Oct 29, 2023 Surface Design and going INTO the story Oct 29, 2023
    • Oct 22, 2023 On the Road Oct 22, 2023
    • Oct 15, 2023 Entering Sacred Spaces Oct 15, 2023
    • Oct 8, 2023 Gut-Punch Art Oct 8, 2023
    • Oct 1, 2023 A peek behind the scenes Oct 1, 2023
  • September 2023
    • Sep 24, 2023 The story comes together Sep 24, 2023
    • Sep 17, 2023 Experiments: Relief Printing Sep 17, 2023
    • Sep 10, 2023 Remembering ABC Sep 10, 2023
    • Sep 3, 2023 Art from the soil Sep 3, 2023
  • August 2023
    • Aug 27, 2023 The story that was already there Aug 27, 2023
    • Aug 20, 2023 Artmaking Rhythms Aug 20, 2023
    • Aug 13, 2023 Bobbi’s Blog 8-13-23… Scaling things UP! Aug 13, 2023
    • Aug 6, 2023 Reaching into the depths Aug 6, 2023
  • July 2023
    • Jul 30, 2023 Edging into Ideas Jul 30, 2023
    • Jul 23, 2023 Shipping – Showing - Storing Jul 23, 2023
    • Jul 16, 2023 A little orange magic Jul 16, 2023
    • Jul 9, 2023 Ideas Evolve Jul 9, 2023
    • Jul 2, 2023 Some Screen Printing Jul 2, 2023
  • June 2023
    • Jun 25, 2023 Beast on the Loose! Jun 25, 2023
    • Jun 18, 2023 Listening With Your Eyes Jun 18, 2023
    • Jun 11, 2023 Hand Printing Patterns Jun 11, 2023
    • Jun 4, 2023 A bird environment work-in-progress Jun 4, 2023
  • May 2023
    • May 28, 2023 Some envisioning required here May 28, 2023
    • May 21, 2023 Meanwhile, outside the studio May 21, 2023
    • May 14, 2023 Making Art That Speaks to You May 14, 2023
    • May 7, 2023 Hard to Resist May 7, 2023
  • April 2023
    • Apr 30, 2023 In the Forest Apr 30, 2023
    • Apr 23, 2023 “Click.” Photo. Now what? Apr 23, 2023
    • Apr 16, 2023 What Shall I take into the Studio today? Apr 16, 2023
    • Apr 9, 2023 Is Like a Day Without Sunshine Apr 9, 2023
    • Apr 2, 2023 Some days are like this Apr 2, 2023
  • March 2023
    • Mar 26, 2023 Constructing a First Layer Mar 26, 2023
    • Mar 19, 2023 What will you be when you grow up? Mar 19, 2023
    • Mar 12, 2023 Finding your window time Mar 12, 2023
    • Mar 5, 2023 Presentation is . . . Mar 5, 2023
  • February 2023
    • Feb 26, 2023 But something was missing Feb 26, 2023
    • Feb 19, 2023 After the idea, Before the Construction Feb 19, 2023
    • Feb 12, 2023 A walk through the studio Feb 12, 2023
    • Feb 5, 2023 Inside a Child’s World Feb 5, 2023
  • January 2023
    • Jan 29, 2023 Memory Shadows Jan 29, 2023
    • Jan 22, 2023 Work -- Ideas -- in progress Jan 22, 2023
    • Jan 15, 2023 Composing with real objects Jan 15, 2023
    • Jan 8, 2023 Thinking about “Things” and Words Jan 8, 2023
    • Jan 1, 2023 Neutral Thoughts (and not so neutral thoughts) Jan 1, 2023
  • December 2022
    • Dec 25, 2022 Inspirations Dec 25, 2022
    • Dec 18, 2022 Edges – Crisp or Squishy Dec 18, 2022
    • Dec 11, 2022 See what you Get. And Then. . . Dec 11, 2022
  • November 2022
    • Nov 27, 2022 Within the artwork - a journey Nov 27, 2022
    • Nov 20, 2022 From the Streets Nov 20, 2022
    • Nov 13, 2022 Creating artwork. Showing artwork. Nov 13, 2022
    • Nov 6, 2022 Finding Meaning in the Small Nov 6, 2022
  • October 2022
    • Oct 30, 2022 Returning to an idea Oct 30, 2022
    • Oct 23, 2022 Design and Collage – Some Ideas and Tips Oct 23, 2022
    • Oct 16, 2022 How She Got There Oct 16, 2022
    • Oct 9, 2022 Building Color on Color Oct 9, 2022
    • Oct 2, 2022 After the Storm Oct 2, 2022
  • September 2022
    • Sep 25, 2022 This 'n That and finishing touches Sep 25, 2022
    • Sep 18, 2022 Ideas in a small space Sep 18, 2022
    • Sep 11, 2022 Building Layers toward Warm Sep 11, 2022
    • Sep 4, 2022 Working out ideas (over and over!) Sep 4, 2022
  • August 2022
    • Aug 28, 2022 Hello Old Friend Aug 28, 2022
    • Aug 21, 2022 About horizons and abstraction Aug 21, 2022
    • Aug 14, 2022 Sticks. Twigs. Branches. I like ‘em all Aug 14, 2022
    • Aug 7, 2022 In the studio for some screen printing Aug 7, 2022
  • July 2022
    • Jul 31, 2022 Where Do Ideas Come From? Jul 31, 2022
    • Jul 24, 2022 "Home" as visual prose. "Home" as visual poem Jul 24, 2022
    • Jul 17, 2022 All in green: Leaves and shapes Jul 17, 2022
    • Jul 10, 2022 Collage Transitions and Connections Jul 10, 2022
    • Jul 3, 2022 Natural edge collage: Work-in-Progress Jul 3, 2022
  • June 2022
    • Jun 26, 2022 Art that’s ABOUT something Jun 26, 2022
    • Jun 19, 2022 Proving that I am Me Jun 19, 2022
    • Jun 12, 2022 What am I to make of that? Jun 12, 2022
    • Jun 5, 2022 Messages from the birds Jun 5, 2022
  • May 2022
    • May 29, 2022 In the Studio… Is it Working? May 29, 2022
    • May 22, 2022 Just What I Needed to Be Doing May 22, 2022
    • May 15, 2022 Wading deeper into the water May 15, 2022
    • May 8, 2022 Jumping back into the water May 8, 2022
    • May 1, 2022 Variety without Hodge-Podge May 1, 2022
  • April 2022
    • Apr 24, 2022 All about the surface Apr 24, 2022
    • Apr 17, 2022 Simple Methods – Interesting Images Apr 17, 2022
    • Apr 10, 2022 Sun – Porch – Sketchbook Apr 10, 2022
    • Apr 3, 2022 Depth Beyond the Trees Apr 3, 2022
  • March 2022
    • Mar 27, 2022 The Safe Harbor of Strong Women Mar 27, 2022
    • Mar 20, 2022 Creating parts with a voice Mar 20, 2022
    • Mar 13, 2022 Sand and Water and Memories Mar 13, 2022
    • Mar 6, 2022 Studio Tour Take-Aways Mar 6, 2022
  • February 2022
    • Feb 27, 2022 Cleaning. And other artful projects. Feb 27, 2022
    • Feb 20, 2022 Orange Power Feb 20, 2022
    • Feb 13, 2022 Beginnings Feb 13, 2022
    • Feb 6, 2022 TEXT as an artwork element Feb 6, 2022
  • January 2022
    • Jan 30, 2022 Art. Power. Practice. Jan 30, 2022
    • Jan 23, 2022 My Studio Choices Jan 23, 2022
    • Jan 16, 2022 I wonder if I could do it again? Jan 16, 2022
    • Jan 9, 2022 The tangible. And what stirs the pot. Jan 9, 2022
    • Jan 2, 2022 Exploring Layers and Depth Jan 2, 2022
  • December 2021
    • Dec 26, 2021 Here we are. A time in-between. Dec 26, 2021
    • Dec 19, 2021 Some Hand Printing. And Why Dec 19, 2021
    • Dec 12, 2021 Beginning a New Project Dec 12, 2021
    • Dec 5, 2021 Whaddaya Think of This? Dec 5, 2021
  • November 2021
    • Nov 28, 2021 Pivot, Hold on, Move On Nov 28, 2021
    • Nov 21, 2021 Report from the street.. Fall Festival of the Arts DeLand Nov 21, 2021
    • Nov 14, 2021 More Than Just the Making Nov 14, 2021
    • Nov 7, 2021 The very air Nov 7, 2021
  • October 2021
    • Oct 31, 2021 Through the WIndow Oct 31, 2021
    • Oct 24, 2021 Letting the Underneath Show Through Oct 24, 2021
    • Oct 17, 2021 Believing You Can Fly Oct 17, 2021
    • Oct 10, 2021 Projects Across the finish line Oct 10, 2021
    • Oct 3, 2021 A Favorite Chair Revisited Oct 3, 2021
  • September 2021
    • Sep 26, 2021 It just wasn’t right the first time. Sep 26, 2021
    • Sep 19, 2021 Learning from the details Sep 19, 2021
    • Sep 12, 2021 Getting’ out with other artists Sep 12, 2021
    • Sep 5, 2021 Watercolor Sky Sep 5, 2021
  • August 2021
    • Aug 29, 2021 CIRCLES Aug 29, 2021
    • Aug 22, 2021 Landscapes 3 Ways Aug 22, 2021
    • Aug 15, 2021 Words about words about art Aug 15, 2021
    • Aug 8, 2021 Clean Lines, Angles, and Fuzzy Edges. Aug 8, 2021
    • Aug 1, 2021 Welcome to my Working Space Aug 1, 2021
  • July 2021
    • Jul 25, 2021 Printmaking and Collaging Jul 25, 2021
    • Jul 18, 2021 The Mystery of Water Jul 18, 2021
    • Jul 11, 2021 A bit of Watercolor. Hello Old Friend Jul 11, 2021
    • Jul 4, 2021 Soaking in and Listening Jul 4, 2021
  • June 2021
    • Jun 27, 2021 What came next: Wheat Paste Resist Jun 27, 2021
    • Jun 20, 2021 Fabric Printing - Elton John adventure Jun 20, 2021
    • Jun 13, 2021 How to Show What’s Behind Jun 13, 2021
    • Jun 6, 2021 Breathe In and Know... Jun 6, 2021
  • May 2021
    • May 30, 2021 Backdoor Memories May 30, 2021
    • May 23, 2021 Wading into Serenity May 23, 2021
    • May 16, 2021 No Sewing today. Guess I’ll print May 16, 2021
    • May 9, 2021 From a Florida (but, not) artist May 9, 2021
    • May 2, 2021 It began with the two girls May 2, 2021
  • April 2021
    • Apr 25, 2021 From Bobbi’s Blog 4-25-21… Inspiration from changing pace Apr 25, 2021
    • Apr 18, 2021 Art – Poetry – Art Apr 18, 2021
    • Apr 11, 2021 A Secret Garden (Re)Discovered Apr 11, 2021
    • Apr 4, 2021 Some unexpected monotypes Apr 4, 2021
  • March 2021
    • Mar 28, 2021 What to do When You're Stuck Mar 28, 2021
    • Mar 21, 2021 From thought to Underwater Sunlight Mar 21, 2021
    • Mar 14, 2021 Between Make-Believe and Memory Mar 14, 2021
    • Mar 7, 2021 Doing the Work Mar 7, 2021
  • February 2021
    • Feb 28, 2021 We Keep Our Homes Inside Us Feb 28, 2021
    • Feb 21, 2021 Variations on a (Printmaking) theme Feb 21, 2021
    • Feb 14, 2021 Some Surface Design Basics Feb 14, 2021
    • Feb 7, 2021 The face on my easel Feb 7, 2021
  • January 2021
    • Jan 31, 2021 Float Away in Dreams Jan 31, 2021
    • Jan 24, 2021 Reaching for Stars Jan 24, 2021
    • Jan 17, 2021 Starting the day. Capturing a moment. Jan 17, 2021
    • Jan 10, 2021 Sharing Some Studio Trade Secrets Jan 10, 2021
    • Jan 3, 2021 Letting Each Color Do Its Work Jan 3, 2021
  • December 2020
    • Dec 27, 2020 It’s good for you. (Like Spinach!) Dec 27, 2020
    • Dec 20, 2020 Peace in the in-between Dec 20, 2020
    • Dec 13, 2020 What greeted me this morning Dec 13, 2020
    • Dec 6, 2020 Inspiration! Now What? Dec 6, 2020
  • November 2020
    • Nov 29, 2020 Primaries. Mostly. Nov 29, 2020
    • Nov 22, 2020 Sidewalks. Memory. Inspiration. Nov 22, 2020
    • Nov 15, 2020 Words and Images Nov 15, 2020
    • Nov 8, 2020 Artmaking from the gut Nov 8, 2020
    • Nov 1, 2020 Which Approach? Nov 1, 2020
  • October 2020
    • Oct 25, 2020 I LIKE COMPOSITION BEST Oct 25, 2020
    • Oct 18, 2020 What is the color of light? Oct 18, 2020
    • Oct 11, 2020 While Approaching the Distance Oct 11, 2020
    • Oct 4, 2020 Above the water. Into the Water. Oct 4, 2020
  • September 2020
    • Sep 27, 2020 Rediscovering Still Life Sep 27, 2020
    • Sep 20, 2020 Thank You, cream cheese and butter Sep 20, 2020
    • Sep 13, 2020 Art about US – What unites, divides US Sep 13, 2020
    • Sep 6, 2020 Digging (and Stitching) into Rocks Sep 6, 2020
  • August 2020
    • Aug 30, 2020 Printing a Forest Aug 30, 2020
    • Aug 23, 2020 Looking THROUGH – in a coupla ways Aug 23, 2020
    • Aug 16, 2020 Adding characters to the story Aug 16, 2020
    • Aug 9, 2020 Grass. Not always greener Aug 9, 2020
    • Aug 2, 2020 WORDS -- ART -- WORDS Aug 2, 2020
  • July 2020
    • Jul 26, 2020 Thinking about the blues Jul 26, 2020
    • Jul 19, 2020 From Inspiration to out-the-door… Jul 19, 2020
    • Jul 12, 2020 Wading into the River's Edge... Printmaking Pleasure Jul 12, 2020
    • Jul 5, 2020 I wonder what that cow is looking at? Jul 5, 2020
  • June 2020
    • Jun 28, 2020 One Thing Leads to Another Jun 28, 2020
    • Jun 21, 2020 Beginning (Seeing) a New Thing Jun 21, 2020
    • Jun 14, 2020 Want to Fly Away? Jun 14, 2020
    • Jun 7, 2020 Listening. Hearing. Jun 7, 2020
  • May 2020
    • May 31, 2020 Problem-solving and details May 31, 2020
    • May 17, 2020 Just a Bit of Watercolor Sky May 17, 2020
    • May 10, 2020 Printing Life Beneath the Waves May 10, 2020
    • May 3, 2020 Turns out the next step was honeycomb May 3, 2020
  • April 2020
    • Apr 26, 2020 Looking through the leaves Apr 26, 2020
    • Apr 19, 2020 The job of little girls. Figuring things out. Apr 19, 2020
    • Apr 12, 2020 WHAT’S UNDER THERE? MYSTERIES AWAIT Apr 12, 2020
    • Apr 5, 2020 The good life. That didn’t make any sense. Apr 5, 2020
  • March 2020
    • Mar 29, 2020 From my blog 3-29-2020… A big deal in the big city Mar 29, 2020
    • Mar 22, 2020 Life Beneath the Garden Mar 22, 2020
    • Mar 15, 2020 OLD NEWS - The Inside Story Mar 15, 2020
    • Mar 8, 2020 Up to my elbows in photo transfers. Why? Mar 8, 2020
    • Mar 1, 2020 Fearless! Mar 1, 2020
  • February 2020
    • Feb 24, 2020 New projects brewing Feb 24, 2020
    • Feb 18, 2020 Look! I ‘m juggling. (But I’m really just…) Feb 18, 2020
    • Feb 9, 2020 Working large-to-small. Then back again. Feb 9, 2020
    • Feb 2, 2020 A work-in-progress... teal-rust-violet composition Feb 2, 2020
  • January 2020
    • Jan 26, 2020 Piecing Things Together in the Studio Jan 26, 2020
    • Jan 14, 2020 First the little girl. Now the story. Jan 14, 2020
    • Jan 6, 2020 Where does inspiration come from? Jan 6, 2020
  • December 2019
    • Dec 29, 2019 Thank you, Mr. Samuelson (my geometry teacher) Dec 29, 2019
    • Dec 15, 2019 It Can Be So Small a Thing... Dec 15, 2019
    • Dec 1, 2019 Stepping back in (Southern) time Dec 1, 2019
  • November 2019
    • Nov 25, 2019 People Ask... Nov 25, 2019
    • Nov 17, 2019 1 - 2 - 3 - 4 Collage-in-progress Nov 17, 2019
    • Nov 11, 2019 Art-Looking. Art-making. Different. And the Same Nov 11, 2019
    • Nov 3, 2019 GRASSY INTRICACIES Nov 3, 2019
  • October 2019
    • Oct 27, 2019 Have a seat. Here, in my favorite chair Oct 27, 2019
    • Oct 20, 2019 A new project – at the beginning of the process Oct 20, 2019
    • Oct 14, 2019 Achey ladder legs and lots of talking Oct 14, 2019
    • Oct 5, 2019 Grey, Grey, Soft Grey, Grey Oct 5, 2019
  • September 2019
    • Sep 23, 2019 Magical Transparency Sep 23, 2019
    • Sep 15, 2019 Returning to the Burned House… Depicting What is Not There Sep 15, 2019
    • Sep 8, 2019 What Can You Learn From A Vase and a Flower? Sep 8, 2019
  • August 2019
    • Aug 31, 2019 Enjoying the big (tedious) reveal Aug 31, 2019
    • Aug 24, 2019 Going home. Going through the door. Aug 24, 2019
    • Aug 16, 2019 The burned house… portraying what is not there Aug 16, 2019
    • Aug 10, 2019 Art in the big city… How would YOU answer the question? Aug 10, 2019
    • Aug 4, 2019 An honest, seeking question… Aug 4, 2019
  • July 2019
    • Jul 26, 2019 Working backwards as a creative process Jul 26, 2019
    • Jul 19, 2019 Long distance is just not the same Jul 19, 2019
    • Jul 13, 2019 Step-by-step: Watch a Florida river scene come to life Jul 13, 2019
    • Jul 5, 2019 My Little Slice of America Jul 5, 2019
  • June 2019
    • Jun 29, 2019 Same view. Different Things to See Jun 29, 2019
    • Jun 15, 2019 Translating by Trying it Out Jun 15, 2019
    • Jun 8, 2019 This is a test. Only a test. (But it’s a good one!) Jun 8, 2019
    • Jun 2, 2019 Collage Confessions (And a few tips) Jun 2, 2019
  • May 2019
    • May 22, 2019 What turned to dust. What blew away. What remained. May 22, 2019
    • May 17, 2019 Bringing a studio project to its next stage – and Spatter! - and magic May 17, 2019
    • May 9, 2019 Three Projects Brewing in my Studio May 9, 2019
    • May 1, 2019 Trading Aprons May 1, 2019
  • April 2019
    • Apr 25, 2019 Overlooked. A Story Waiting to be Told Apr 25, 2019
    • Apr 18, 2019 THOUGHTS ON ART "GOTTA-DO'S" … AND CHEWING ON PEAS Apr 18, 2019
    • Apr 10, 2019 There’s life on the edge! Apr 10, 2019
    • Apr 4, 2019 Hieronymous Who? And where is he going? Apr 4, 2019
  • March 2019
    • Mar 30, 2019 In honor of Women’s History Month… Thinking about Expectations Mar 30, 2019
    • Mar 25, 2019 Simple forms – Complex ideas Mar 25, 2019
    • Mar 18, 2019 A window into art (and the heart of the artmaker) Mar 18, 2019
    • Mar 12, 2019 Meanwhile, back to Square Two Mar 12, 2019
    • Mar 4, 2019 A Little Video... Art Quilt "Becoming One with the Night" step-by-step Mar 4, 2019
  • February 2019
    • Feb 26, 2019 Making Connections... Does it Matter? Feb 26, 2019
    • Feb 18, 2019 There's Blue. And then there's BLUE! Feb 18, 2019
    • Feb 11, 2019 Rain-soaked sculpture… and 3 art tips we learned Feb 11, 2019
    • Feb 6, 2019 Original. Or not. Feb 6, 2019
  • January 2019
    • Jan 27, 2019 The Little Paper Doll Girl goes on a journey Jan 27, 2019
    • Jan 19, 2019 Work in Progress… Surface Design to get the fabric talking Jan 19, 2019
    • Jan 12, 2019 Four lessons from art masters: Windows Jan 12, 2019
    • Jan 5, 2019 Water Magic Jan 5, 2019
  • December 2018
    • Dec 28, 2018 Two Unanswered Questions Dec 28, 2018
    • Dec 19, 2018 It’s the Little Things – Some Studio Printing Tips Dec 19, 2018
    • Dec 15, 2018 Can we escape the temptation of the photo? Dec 15, 2018
    • Dec 9, 2018 ART. NOT ART. Does it matter? Dec 9, 2018
    • Dec 3, 2018 Life Unseen – Life Unexpected Dec 3, 2018
  • November 2018
    • Nov 28, 2018 The old neighborhood... (and the CHAIR - Part II) Nov 28, 2018
    • Nov 21, 2018 Working from the Outside in (Plus THE CHAIR – Part I) Nov 21, 2018
    • Nov 15, 2018 Speaking of Mary Poppins… Nov 15, 2018
    • Nov 8, 2018 Peeking inside the neighbors' walls – imagining their stories and secrets Nov 8, 2018
    • Nov 3, 2018 A Journey into Memory. Then Waffles. And an Exhibition. Nov 3, 2018
  • October 2018
    • Oct 28, 2018 Grasping hands with the future of the world Oct 28, 2018
    • Oct 21, 2018 News from the Front Lines – my weekend at an outdoor Art Festival Oct 21, 2018
    • Oct 14, 2018 Monotype Printing on Rice Paper and Fabric… What a great Sunday morning of printmaking! Oct 14, 2018
    • Oct 7, 2018 On the Other Side of the Ugly Stage… at last! Oct 7, 2018
  • September 2018
    • Sep 29, 2018 The weight of carrying untold truths. Sep 29, 2018
    • Sep 26, 2018 Morning in the studio… and thoughts about the process Sep 26, 2018
    • Sep 19, 2018 Working through the ugly stage… a work in progress Sep 19, 2018
    • Sep 15, 2018 Well, how would YOU go about drawing seven sheep? Sep 15, 2018
    • Sep 5, 2018 Revisiting the Night Sep 5, 2018
  • August 2018
    • Aug 29, 2018 LIGHT. PATTERN. KEEP LOOKING Aug 29, 2018
    • Aug 21, 2018 Alone – with a lot going on around her… Aug 21, 2018
    • Aug 17, 2018 Three Simple Houses. And More. Aug 17, 2018
    • Aug 12, 2018 Water + Home… putting together two powerful images Aug 12, 2018
    • Aug 5, 2018 Did a bicycle just ride through my artwork? Aug 5, 2018
  • July 2018
    • Jul 28, 2018 Saying goodbye – and hello – to a home Jul 28, 2018
    • Jul 22, 2018 Hmmm… Let’s give this one a try Jul 22, 2018
    • Jul 17, 2018 The one artmaking tool I can’t live without Jul 17, 2018
    • Jul 12, 2018 Out on a limb – the girl in the picture and ME Jul 12, 2018
    • Jul 7, 2018 THE UNEXPECTED WINDOW Jul 7, 2018
    • Jul 1, 2018 Deep Down Roots… Where do they Go? Jul 1, 2018
  • June 2018
    • Jun 21, 2018 A Chance to Talk About My Own Artwork (Oh No!) Jun 21, 2018
    • Jun 14, 2018 Creating a portrait that tells a story Jun 14, 2018
    • Jun 7, 2018 What the child saw, what the child revealed Jun 7, 2018
    • Jun 2, 2018 I STILL wonder about the people across the street. Do you? Jun 2, 2018
  • May 2018
    • May 26, 2018 Striking’ while the sun is hot… the unexpected… and some closeups May 26, 2018
    • May 22, 2018 A Back-and-Forth Dance – Between Painting and Quilting May 22, 2018
    • May 16, 2018 What happens if I actually read -- and follow -- my own “Notes to Self?” May 16, 2018
    • May 10, 2018 A fleeting gift of sunlight... May 10, 2018
    • May 6, 2018 Thinking about nest-building May 6, 2018
    • May 1, 2018 A chicken or the egg kind of question… and does it make a difference? May 1, 2018
  • April 2018
    • Apr 25, 2018 Abandoned… Rediscovered… Remembered… Apr 25, 2018
    • Apr 10, 2018 Gotta Keep Creative… Here’s What I’m Trying Apr 10, 2018
    • Apr 7, 2018 Half awake… and what was revealed. Apr 7, 2018
  • March 2018
    • Mar 31, 2018 ... but then I was wrong! Mar 31, 2018
    • Mar 22, 2018 The need to "Un-Hermit" Mar 22, 2018
    • Mar 18, 2018 Seeing Again… and Remembering! Mar 18, 2018
    • Mar 11, 2018 MIXING REALITIES – PHOTOS AND OTHER WAYS OF BEING REAL Mar 11, 2018
    • Mar 4, 2018 REFLECTIONS - OUTSIDE LOOKING IN Mar 4, 2018
  • February 2018
    • Feb 27, 2018 Talk it through… “Someone who has found a process” Feb 27, 2018
    • Feb 20, 2018 Work-in-Progress… Row House Neighborhood Feb 20, 2018
    • Feb 15, 2018 Once She Could… take a look and let the poem tell the story Feb 15, 2018
    • Feb 11, 2018 One thing leads to another... Feb 11, 2018
    • Feb 4, 2018 The magic that occurs during a studio visit Feb 4, 2018
    • Feb 1, 2018 Life Lesson: Artists know there’s more to work than what you learn in school Feb 1, 2018
  • January 2018
    • Jan 28, 2018 BOREDOM? REALLY? YOU GOTTA-BE-KIDDING-ME Jan 28, 2018
    • Jan 23, 2018 Through the door of a question… Jan 23, 2018
    • Jan 19, 2018 What’s the same… What’s Changing? Seeing Ideas Evolve Jan 19, 2018
    • Jan 16, 2018 Four Lessons from collaboration: an art-for-the-bees weekend at Stetson University Jan 16, 2018
    • Jan 12, 2018 Being a Citizen… From Inside my Art Bubble Jan 12, 2018
    • Jan 8, 2018 Just one more reason (of-oh-so-many-good-ones) to take the road less traveled Jan 8, 2018
    • Jan 6, 2018 SEEING… by hand Jan 6, 2018
    • Jan 4, 2018 Look Deeply and Don't Be Afraid... Jan 4, 2018
    • Jan 3, 2018 Is Juggling a Good Idea? Jan 3, 2018
    • Jan 1, 2018 Last chance – last dance - new creating – no mugwumps Jan 1, 2018
  • December 2017
    • Dec 9, 2017 Right by my Studio WIndow... inspiration for a poem Dec 9, 2017
  • October 2017
    • Oct 22, 2017 Side-By-Side Oct 22, 2017
    • Oct 5, 2017 Expectations; Small and Otherwise Oct 5, 2017
  • September 2017
    • Sep 27, 2017 This little bird has had quite a journey! Sep 27, 2017
    • Sep 24, 2017 Switch-hand sketching… getting out of my rut Sep 24, 2017
    • Sep 17, 2017 Remembering the curiosness of the storm Sep 17, 2017
    • Sep 4, 2017 Note to Self... about work and risks Sep 4, 2017
  • August 2017
    • Aug 31, 2017 WATER - POWER - CHANGE - IN THE VERY SAME BREATH Aug 31, 2017
    • Aug 27, 2017 The Pleasure of Objects Aug 27, 2017
    • Aug 20, 2017 Note to Self... Focus On the Why Aug 20, 2017
    • Aug 16, 2017 Some Unexpected Magic Aug 16, 2017
    • Aug 13, 2017 The weight of the work of one's hands Aug 13, 2017
    • Aug 11, 2017 Haiku Friday - the depths of knowing Aug 11, 2017
    • Aug 7, 2017 Sketching... where it begins Aug 7, 2017
    • Aug 6, 2017 Note to Self - Not shallow... Aug 6, 2017
    • Aug 4, 2017 HAIKU FRIDAY... Aug 4, 2017
    • Aug 3, 2017 Imagining... Without A Net Aug 3, 2017
  • July 2017
    • Jul 31, 2017 FLYING INTO THE UNKNOWN Jul 31, 2017
    • Jul 30, 2017 NOTE TO SELF... RISK-TAKING Jul 30, 2017
    • Jul 28, 2017 Haiku Friday... Dreams Rearranged Jul 28, 2017
    • Jul 26, 2017 Waking from a dream, remembering... Jul 26, 2017
    • Jul 25, 2017 The weight of rocks Jul 25, 2017
    • Jul 24, 2017 Landscapes of Dreams Jul 24, 2017
    • Jul 21, 2017 Haiku Friday... Bird Wisdom Jul 21, 2017
    • Jul 20, 2017 TBT – Fledgling: It’s Time to… Jul 20, 2017
    • Jul 18, 2017 : A Look Inside the Studio… “Neither Here Nor There” Jul 18, 2017
    • Jul 17, 2017 Imagining the In-Between Stages Jul 17, 2017
    • Jul 16, 2017 Sunday Morning Jul 16, 2017
    • Jul 13, 2017 The Gift of Rain Jul 13, 2017
    • Jul 12, 2017 Journeying in Dreams Jul 12, 2017
    • Jul 10, 2017 LONGING FOR WATER Jul 10, 2017
  • June 2017
    • Jun 26, 2017 Paying Attention - Simple Pleasures Jun 26, 2017
    • Jun 6, 2017 ROOTED DISCOVERIES Jun 6, 2017
    • Jun 4, 2017 Five Good things: Resistance through Art to Global Warming Jun 4, 2017
  • May 2017
    • May 22, 2017 Change is Never Easy May 22, 2017

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